ArchivesSpace at the University of Iowa

The design of the dust jacket and 40 black and white grainy photographic images were provided by Tom Phillips to illustrate Willliams' poems. The book and its typography were designed by Donato Cinicolo 3 who employed a large variety of typefaces including those from a typewriter. Jonathan Williams also contributed notes on the poems as well as an afterword. A slip inserted into the book states that as a result of a disagreement between the publishers and one of the authors over the book design, the publishers decided not to publish it. Before this decision was reached, 120 copies were bound and distributed to friends of the Trigram Press. -- Source of annotation: Marvin or Ruth Sackner.

The design of the dust jacket and 40 black and white grainy photographic images were provided by Tom Phillips to illustrate Willliams' poems. The book and its typography were designed by Donato Cinicolo 3 who employed a large variety of typefaces including those from a typewriter. Jonathan Williams also contributed notes on the poems as well as an afterword. -- Source of annotation: Marvin or Ruth Sackner.

Poesie de mots inconnus by Iliazd, held by the Sackner Archive, is listed as an offering with a detailed description. -- Source of annotation: Marvin or Ruth Sackner.

Lithographs by Joan Miro. One collage of cut papers by Brossa. Published as an homage by Brossa on the occasion of Miro's eightieth birthday. -- Source of annotation: Marvin or Ruth Sackner.

Advertises sale of J. Miro's and A. De Monluc's "Le Courtisan Grotesque." -- Source of annotation: Marvin or Ruth Sackner.

This is the second edition of the book first published in an edition of 30 copies in 1978. Its theme is the Elephant. -- Source of annotation: Marvin or Ruth Sackner.

Some prints by Frydman provide similar visual sensations to the images of Cy Twombly and others to Mark Rothko. -- Source of annotation: Marvin or Ruth Sackner.